Back to the Future: a futuristic theme was present at Balenciaga's Spring/Summer 2019 show | Vogue France
Demna - The New York Times
artcubeloves this 360° immersive #JonRafman installation at @balenciaga SS19 at the Jurassic World Exposition in Saint-Den… | Saint denis, Jurassic world, Art cube
Balenciaga SS19 Production and set design by @La_mode_en_images_official @ balenciaga #fashionshow #setdesign #pfw #SS19… | New media art, Catwalk design, Balenciaga
L'installazione di Jon Rafman per Balenciaga | Artribune
5 Things to Know About Jon Rafman, the Montreal Artist Who Just Collaborated With Balenciaga - FASHION Magazine
The Canadian Arts & Fashion Awards - Balenciaga Immersive Digital Tunnel - Artwork by Montreal-based Jon Rafman | Facebook
Who Is Jon Rafman, the Artist Behind Balenciaga's Video Installation? - GARAGE
Balenciaga Summer 19 Collection - YouTube
Balenciaga Taps Artist Jon Rafman to Reimagine Paris Fashion Show
Who Is Jon Rafman, the Artist Behind Balenciaga's Video Installation? - GARAGE
Jon Rafman - MAFF
Jon Rafman for Balenciaga: The Ride Never Ends - Trailer (2019) on Vimeo
Nina Garcia - Inside the BALENCIAGA LED tunnel. A collaboration between Demna Gvasalia and artist Jon Rafman. A first in immersive Fashion and technology presentaron .🤯💙🔥🔥👏🏻 ELLE Magazine (US) | Facebook
MA+Creative
Balenciaga Spring 2019 Collection | POPSUGAR Fashion UK
Balenciaga catwalk show lit by 7,000 infiLED panel tunnel
Balenciaga catwalk show lit by 7,000 infiLED panel tunnel
Inside an LED Light Tunnel, a More Subdued Balenciaga
balenciaga presented neo-tailoring for generation now
₳Ɽ฿Ł₮ɆⱤ Ø₣ ₩ØⱤⱠĐ₴ – Carl Kostyál
lava_story1... | For the Balenciaga Summer 19 runway, Jon Rafman collaborated with creative director Demna Gvasalia to create an immersive video installation titled "The... | By Sprüth Magers | Facebook
6pm Breakfast - Jon Rafman e Balenciaga sono un connubuio perfetto tra arte e moda
Balenciaga
Balenciaga Taps Artist Jon Rafman to Reimagine Paris Fashion Show
Balenciaga's big shoulders are from future – not 1980s - The Columbian
